THE FABELMANS (FILM REVIEW)

There are film directors that are known for their visual styles, while others are more closely tied to the genre they excel in. For Spielberg, his legacy lies in his skillful articulation of innocence and imagination, one that is once again explored in his latest film, The Fablemans. By one measure, it is a coming-of-age…

THE NIGHT OWL (FILM REVIEW)

While night vision is something people typically wouldn’t mind having, for Kyeong-Soo (Ryoo Joon-Yeol), the term couldn’t have taken a worse turn. In the period drama The Night Owl, he is an acupuncturist with the said ability; except in his case, it renders him blind during the day, and attaining only somewhat of a normal…

ELVIS (FILM REVIEW)

When it comes to biopics, authenticity appears to be the yardstick most would measure it by. For flamboyant filmmaker Baz Luhrmann, that would be both stifling and obvious.  It’s been almost a decade since his last feature (The Great Gatsby, 2013) and two for Moulin Rouge! (2001), but the Australian director commits to his inimitable…

URBAN MYTHS (FILM REVIEW)

There’s no getting away from folklore even in a contemporary setting. No matter which continent we might be on, each urban environment – crowded with people and traffic – will always birth stories that people whisper about or discover online. Given how pervasive urban myths are, it’s funny how they are not recognised as a…

CYRANO (FILM REVIEW)

It’s reasonable to say that Peter Dinklage single-handedly changed the perception of dwarf actors in his portrayal of Tyrion Lannister in Game of Thrones. In a highly refreshing and memorable performance, his characterisation exuded a devilish mix of expressive charm and sardonic wit that quickly adhered him to the audience. This level of magnetism naturally…

RESPECT (FILM REVIEW)

When it comes to singing, folks usually find praise in technique and tone, but singing as an artform can also find greatness in authentic expression. While every genre of music has its fans, soul music has an incomparable effect to move any audience – and you can’t talk about soul music without mentioning the Queen…

THE YEAR OF THE EVERLASTING STORM – FILM REVIEW

What a year it’s been. Covid-19 brought the world to its knees, showing up faultlines and shifting paradigms in a way no other historical event has laid claim to. We’ve all had to adapt to these changes – some more inconvenient than others. From face masks and beeping apps, to isolation and strained relationships, the…

GUIMOON: THE LIGHTLESS DOOR (FILM REVIEW)

For all the modernity that surrounds Singapore, there’s always something about Asian rituals and ghosts that unnerve even the most disbelieving of us. In the case of Guimoon: The Lightless Door, director Shim Duck-geun leads us down a rabbit hole of hereditary spiritual work, trapped souls and superstitious lore, filled with a core of vengeance….

DUNE (FILM REVIEW)

In the media world, Frank Herbert’s Dune is well-regarded as the sci-fi equivalent of Tolkien’s Lord of the Rings – unfilmable. Peter Jackson surprised everyone with his production, even as it took almost an entire country’s worth of talent to realise the vision of the latter. Hoping to capture the other corner is Denis Villeneuve….

THE MEDIUM (FILM REVIEW)

The promise of a collaboration between Shutter-famous Banjong Pisanthanakun, directing a new horror title produced by The Wailing Na Hong-jin, is enough to make any pundit in the genre sit up and take notice. The two veterans are strong in their compelling narratives – both enjoy layering their characters with the burden of a strained…

OLD (FILM REVIEW)

Perhaps one of the most intriguing trailers to come out of 2021 is M. Night Shyamalan’s Old. It begins with a couple and their children visiting the Hollywood definition of a luxury resort – tropical palms, overly decorated drinks and too much linen – and quickly goes for WTF when they start rapidly aging after…

GHOST MANSION (FILM REVIEW)

Webtoons are having their day in the sun in Korea’s entertainment industry, as seen by their popularity in titles such as Itaewon Class and Sweet Home. Though it isn’t an adaptation, Ghost Mansion does tap into this cultural phenomena by pitching the protagonist as a webtoon artist who digs a little too far into the…

WAITING FOR RAIN (FILM REVIEW)

When the script led its lead actor Kang Ha-neul to tears during his reading, you know a it makes for a bonafide tearjerker. However, Waiting for Rain isn’t your regular ballad of a saga, milking languorous musical slow-mos and fall-in-your-arms tropes for romance. In fact, the female protagonist even insists they never meet – but…

IN THE HEIGHTS (FILM REVIEW)

Hungry for projects, studios are riffling through the past for a quick way to make content, and adaptations have been one of the treasuries they’ve been drawing from. With the Broadway breakout Hamilton under his belt, Lin-Manuel Miranda portfolio became Warner Bros’s target, given how his material not only brought relevant messaging on diversity and…

SPIRAL (FILM REVIEW)

The collection of Saw films has shuttled along its timeline, but one fact remains – Jigsaw, the vigilante serial killer, is well and truly at rest. So what would it possibly take for a new episode to arise? It seems, a chance meeting between franchise fan Chris Rock and Lionsgate vice chairman, Michael Burns. CEO…

CLIFF WALKERS (FILM REVIEW)

A Zhang Yimou film is always an event. As one of this generation’s most iconic Asian directors, Zhang has been able to transition from more independent efforts to commercial titles with great success, receiving critical acclaim for his earlier works Red Sorghum and Raise the Red Lantern, and popular appeal with Hero, House of Flying…

THE HYPNOSIS (FILM REVIEW)

When it comes to hypnosis, you usually belong in one of the two camps: Those that believe and wish to try, and those that don’t but would also like to try. Suffice to say, The Hypnosis is eager to tap into this fascination for this fledgling science, though practitioners might not appreciate the dramatic slant…

SEOBOK (FILM REVIEW)

Mention of this film locally has quickly drawn reference to crispy pork belly (even from my editor), given how similar the two are when spelled out. But this is a film review and not a food review so all jokes aside… On the name, director Lee Yong Zoo explained, “Emperor Qin of China was a…

POSSESSOR (FILM REVIEW)

Cronenberg. The surname itself signals that Possessor is going to be deeply provocative. Son of David Cronenberg, Brandon Cronenberg, is fully realising every bit of his family’s legacy with Possessor. The sci-fi horror checks all the heritage hallmarks – body horror, unflinching gore, ethical conundrums and brutal delivery – all somehow still wrapped in a…

THE BOX (FILM REVIEW)

With some members beginning their enlistment, SM Entertainment has officially announced that EXO’s future will be moving towards more solo projects. It is a timely balm then for fans of the 9-member boy band, that The Box stars one of the two prominent rappers in the group – Chanyeol. While the band was known for…

JUDAS AND THE BLACK MESSIAH (FILM REVIEW)

In this biographical depiction of revolutionary Fred Hampton, director Shaka King condenses the events of his influential years as a chairman in the Illinois chapter of the Black Panther Party, that inevitably led with his assassination in 1969. He was 21.   But the focus here is less on his incredible charisma that realised a “rainbow…

MINARI – FILM REVIEW

Two months into the new year and we may very well have another Parasite on our hands. Minari is Lee Isaac Chung’s feathery opus, chronicling an immigrant family trying to take root in a new motherland while earning their own particular version of success. It’s a gentle story held aloft by deceptively easy story-telling, yet…

BREAKING NEWS IN YUBA COUNTY (FILM REVIEW)

At one point, I almost choked on my coffee. So zippy are the liners coming from Breaking News in Yuba Country, that I’d suggest one be careful with your concession fare, lest it ends up in the wrong orifices. It could be a side comment, a fleeting look or just full-on slapstick, but the pitches…

SUPERNOVA (FILM REVIEW)

When the film begins quietly in the motorhome of Sam (Colin Firth) and Tusker (Stanley Tucci), one almost instantly feels intrusive – such is the simmering tenderness coming from the on-screen lovers. As Supernova unfurls, the story of this middle-aged couple facing obstacles from a medical predicament is teased out in similar fashion. Tucci displays…

STIGMATIZED PROPERTIES (FILM REVIEW)

Would you stay in a stigmatized property? Just the thought of it might make some skins crawl. Stigmatized properties are residential places for rent or purchase, but with one big twist – someone’s passed away in them before. Sometimes this is a little more peaceful, where the occupants die during their sleep. Other times it’s…

THE CON-HEARTIST (FILM REVIEW)

Besides sinful Mookatas, fiery Tom Yum soups and delicious Phad Thai, it’s safe to say that the Thai have cornered the market on wacky humour on-screen. It’s not just in movies, but you’ll likely have seen one of those twist-ending ads that drops a curveball of an ending after an emotional wringer. But a victim…

BRAVEN – MOVIE REVIEW

The thing about superhero blockbuster (as much as I enjoy them) is that sometimes the audience doesn’t worry about our leads. We know they will come out unscathed. And when the hero looks like Jason Momoa – in a forest of trees, this man is a sequoia – it’s even easier to believe that they…

SOUL SNATCHER – MOVIE REVIEW

In the myth-rich troves of China folklore, there are likely a million entities written about to bless, curse, scare or just remind us what it means to be human. At this intersection of the godly, demonic and human natures, storytellers have been seeking to investigate ethics and morals, while offering up philosophical revelations. They are…

THE CURSED LESSON – MOVIE REVIEW

With all the societal pressure to look good in South Korea, especially when set against such demanding standards, it’s always heartening to see the media tackling the topic. And what better way to exemplify obsession than with the horror genre? Similar to this year’s earlier Beauty Water, the chase for attractiveness leads only to gory…

SAMJIN COMPANY ENGLISH CLASS – A REVIEW

The title seems to suggest a language-centric comedy, but Samjin Company English Class holds a lot more sass in class than playing up botched English deliveries. There’s a great deal of messaging here, from hierarchical ceilings to gender discrimination, but most of all, that doing the right thing might be tough, but always worth it…