DETENTION (FILM REVIEW)

Wrapping a terrifying story around a true period of human horror, Detention is a layered tale that’s heavy on scares, but also dripping ripe with messaging. Touching on the political scene in Taiwan in the 1960s, it unfolds in the White Terror period, which was an era of martial law in the country that lasted…

KNIVES OUT (FILM REVIEW)

There’s a certain appeal to whodunnit movies that always keeps the audiences coming. One would hazard it’s due to our inherent curious nature, as well as an intrinsic engagement of our own sleuthing skills that keeps us addicted. It is this successful formula that has birthed a few renowned genre writers – such as Sir…

WET SEASON (FILM REVIEW)

Treading the line between artistic integrity and commercial viability is never easy – especially so in our tiny isle of Singapore. With Wet Season, Anthony Chen establishes his quiet finesse in creating films that strikes a chord with the audience, but bags critical mention and awards to boot. Chen’s sophomore feature has recently picked up…

ZOMBIELAND: DOUBLE TAP (FILM REVIEW)

Sequels have it hard. Zombieland raked in commercial and critical success for taking the audience off-guard in a period of zombie titles, so what can Zombieland: Double Tap bring to the table? The answer is – plenty. The franchise capitalises on three things: astute witticisms, irreverent self-awareness and unabashed caricultures. With that, the sequel has…

THE REAL STORY OF THE KILL TEAM

It’s often said to be a necessary evil, but that can just as easily be a marketing spiel. War is war. For nation, for justice, for religion, for power, for greed, for land…. the actual reasons for war goes on, hiding behind a nobler banner. The Kill Team is a film directed by Dan Krauss,…

COUNTDOWN (FILM REVIEW)

There’s nothing terribly unpredictable about this – but that might not be a bad thing at all. Like Scream, Final Destination and any franchise with over 5 chapters, formulaic horror has an appeal of its own. Countdown has nothing of a reputation to bank on, but it follows a proven model and manages to get…

THE CURRENT WAR (FILM REVIEW)

If you’ve read up a little bit about this project, then you’ll know that this was one of Weinstein’s last work before his entire film career and company collapsed from the sexual allegations. The Current War, with its polished production and high-profile casting premiered to a small (and unimpressed) crowd at Toronto International Film Festival…

METAMORPHOSIS (FILM REVIEW)

South Korea is really gunning for their own Exorcist hit. From TV titles like The Guest (2018) to movies like The Priests (2015), The Wailing (2016), House of the Disappeared (2017), and most recently, The Divine Fury (2019) and Netflix’s, Svaha: The Sixth Finger (2019), it seems that the priest protagonist remains as enigmatic as…

REVENGE OF THE PONTIANAK OR DENDAM PONTIANAK (FILM REVIEW)

Probably one of the most enigmatic and popular supernatural entity in this region, the pontianak is to Southeast Asia what Sadako is to Japan.  Based on popular mythology, she is the ghost of a woman who died pregnant or during childbirth, and boy is she angry! Appearing as a beautiful woman to lure victims to…

SCARY STORIES TO TELL IN THE DARK (FILM REVIEW)

“Why she so curious?” “I thought she returned the book?” “Why they return to the house?” To a movie reviewer, nothing is scarier than a viewer who needs to verbalise her mind. And to the teenage girl in question, the answer to all of your question is: Because this is a movie, so just watch…

A BIGGER SPLASH (FILM REVIEW)

If Call Me By Your Name is remembered by the peach, then A Bigger Splash will be remembered for its pool. The oasis in the sunny island of Pantelleria bears silent witness to the mansion’s going-on, which runs from tension (both of the aggresive and sexual sort) to therepeutic retreat. Acted out by a quartet…

BINDING SOULS (FILM REVIEW)

I used to study in a pre-war school, and so as you might guess, the grounds were filled with stories. The fact that actual riots and war heroes were part of its history made it all the more compelling. So haunted school plots have a particular relevance to me, especially when they involve unspoken topics,…

LOOKING UP (FILM REVIEW)

There’s no punches pulled here – Looking Up is a China-made film, replete with pride-stirring messages that can be seen as gentle nostalgia or shameless propaganda. If you can set that all aside, there’s a couple of universal themes here at play which might be of more interest. Ma Fei (Bai Yu) is one of…

THE DEAD DON’T DIE (FILM REVIEW)

Let’s be clear here: You’ll either love this movie for all its cleverness (because you’re that savvy zombie genre fan – especially for Romero – and geeks out at inside references), or you’ll be like the rest of us – a little bored and cheated. To say The Dead Don’t Die is indulgent is about…

ANNABELLE COMES HOME (FILM REVIEW)

Slowly but surely, James Wan is building and reinforcing his horror legacy. Since the success of The Conjuring, the skillful director has extended his universe significantly, even crossing over to areas which we wouldn’t have expected. (Aquaman and Shazam!) It goes to show the pop culture appeal and power of his creations, and leading the…

PARASITE (FILM REVIEW)

There’s a “landscape rock” gift that gets featured early in the Parasite that sits very nicely as a metaphor for the film. It’s a harbinger of prosperity as much as a burdensome weight; physically, an elegant decoration that can also turn deadly. It never changes its state and doesn’t presume to be anything but a…

DEATH WHISPER (FILM REVIEW)

Well, someone’s a big fan of the Korean Whispering Corridors. From the rotating Hangeul characters during the opening credits to the gift of the actual film DVD to a student on campus, DEATH WHISPER makes no qualms about where it takes inspiration from. This remake by Awi Suryadi bears many references to the original in…

SADAKO (FILM REVIEW)

No matter how little of a horror fan you are, you would most likely have heard of the 1998 japanese classic The Ring. Not only did it launch a new era of stylistic horror, many aspects of the movies were repeated in titles to come in one form or another. You can’t deny that impressionable…

GRETA (FILM REVIEW)

In the vein of psycho-stalker thrillers like Fatal Attraction, Single White Female, and Misery, Neil Jordan directs Ray Wright’s script of a tale of obsession set in the bustling streets of New York. Frances (Chloë Grace Moretz) is the city newbie, getting adjusted to the lifestyle after the passing of her mum. Spotting an abandoned…

MATA BATIN 2 (FILM REVIEW)

Director Rocky Soraya is back with chapter two of his Mata Batin film series, and for those that enjoyed his first outing, you’ll find more of the same in this episode. This means big sets, big houses, and big acting, along with a crazy soundtrack that refuses to die. You can probably already tell I’m…

SORRY TO BOTHER YOU (FILM REVIEW)

If today’s excessive politically-correct climate has got you bothered, then SORRY TO BOTHER YOU is a perfect balm for the weary soul. Riveting performances by LeKeith Stanfield and Tessa Thompson pushes this dark comedy into places it should go – a dry, hard-hitting piece on white privilege amongst many other things. It is so self-aware…

PET SEMATARY (FILM REVIEW)

Stephen King’s IT reboot was a phenomenal success. So it’s only natural for directors Kevin Kolsh and Dennis Widmyer to feel a little pressured when resurrecting PET SEMATARY – arguably one of Stephen King’s darkest titles. On top of box office and fan expectations, Kolsh-Widmyer has the difficult task of keeping the film fresh, as…

TIM BURTON AND HIS FILM PALETTE

Think of Tim Burton, and a dark monochromatic world comes to mind. But the stylistic director isn’t as boring as you think. From Sleepy Hollow’s grim world to Dumbo’s warm tones, I look at how Burton’s palette has changed over the years. Read about his choices here: http://bit.ly/2FA7RR2 Which movie palette was your favourite and…

PEELE’S PRINT STEERS US TO POTENTIAL PERFECTION

Jordan Peele floored everyone with his sleeper hit Get Out in 2017. It was a riveting piece of satirical horror that seared its message like a brand on flesh. Playing once again with complexity, symbols, and deep archetypal nuance, Peele’s upcoming piece Us will no doubt be another memorable experience. Read about why Us will…

ARCTIC (FILM REVIEW)

Filled with more snow than script, Joe Penna’s Arctic strips the survival film genre to its bare essentials, but bolstering that skeleton with a rich performance from its main character. Danish Mads Mikkelsen gives his all in his role as Overgard, a pilot stranded in the arctic region after a crash. Presumably. I say that…

FIVE FEET APART (FILM REVIEW)

It’s an almost unshakeable formula – a doomed romance featuring a character with a chronic disease is sure to turn the taps on. So, I guess if having one character doomed to die makes viewers bawl, imagine two! In the line of terminal romance tear-fests like A Walk to Remember, Midnight Sun, and (most similarly)…

EXTREME JOB (FILM REVIEW)

It felt like somebody’s birthday party. Plus there’s fried chicken. Between the snacks crackling and the people chuckling, the atmosphere at the premiere was buzzing with cheer. I haven’t witnessed such an easy sense of mirth at a screening for years now, no doubt helped by the continuous rain of laughter at the antics onscreen….

VIRAL (FILM REVIEW)

Viral is really an updated version of The Ring, but minus the finesse and scares. In the midst of playing an augmented game called Ghost Hunt, Tang (Ploy Sornarin) captures a spirit photo and excitedly shares it with her friends. One by one, they start seeing the female ghost in their environment. Supposedly. The thing…

THE FAVOURITE (FILM REVIEW)

Emma Stone has never sat well with me as an actress. I guess you can say she was never my favourite. Her goofiness felt larger than her talent, and her roles thus far have banked on that trait. It’s endearing to some, but mostly cloying to me. But what do you know – in Yorgos…

PEGASUS (FILM REVIEW)

Let’s face it – most racing shows are testosterone showcases. Sure, they’ll weave a back story through the plot to keep the indulgence a little more reasonable, but it’s usually a limp romance story on the side. Then in flies Pegasus. Coming out of nowhere, writer and director Han Han has created a surprisingly good…