ELVIS (FILM REVIEW)

When it comes to biopics, authenticity appears to be the yardstick most would measure it by. For flamboyant filmmaker Baz Luhrmann, that would be both stifling and obvious.  It’s been almost a decade since his last feature (The Great Gatsby, 2013) and two for Moulin Rouge! (2001), but the Australian director commits to his inimitable…